Mors Silens, a name that resonates with fans of blackened melo-death metal, emerged from the underground scene in the early 2000s. Hailing from the shadowy corners of the musical world, the band has carved a niche for itself with a sound that blends brutal intensity with intricate melodies. Over the years, Mors Silens has released several albums that have garnered critical acclaim and a loyal following. Each release has showcased their evolution, and their latest offering, Infernal Legacy, is due to be released on Friday, May 9th via Wormhole Death Records.
One of the standout aspects of Infernal Legacy is the exceptional musicianship displayed by each member of Mors Silens. The guitar work is nothing short of mesmerizing, with riffs that are both complex and memorable. The solos are well-crafted, adding depth without overshadowing the songs. The drums and bass provide a relentless backbone to the album, driving the intensity forward with precision and power.
Opening with “End of Eternity,” the album begins with an ethereal synth which will be a prevalent theme throughout the album before frantic riffs, tremolo picking and rampaging drums come into play, seamlessly blending elements of black and death metal. The vocals are guttural and determined and there is a sense of urgency and determination. “Alastor” takes a darker turn with a mid-tempo groove stomp but still utilises a similar formula as its predecessor. It’s at this point where the album tips the scales towards black metal with a light dusting of melo-death with “Scorn” incorporating intense tremolo picking and blast-beats whilst also accompanying the guttural growls with haunting spoken word moments and despairing cleans.
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“Scarlet River” open with a melancholic acoustic guitar and violin, gently lulling you in until the floating synths and cacophony of guitars and drums explode once more. Tracks such as “Chronicles of Devastation,” “Rise of the Dark One” and the title track are dark, foreboding and rampaging whereas the “The Room” and “Nine Circles of Hell” take the form of brooding and ominous doomy death metal with flurries of tremolo making their appearance throughout.
The production quality of “Infernal Legacy” is another high point. The album’s atmospheric soundscapes and use of synths and keyboards create a haunting ambience that perfectly complements the lyrical themes of social critiques and mental states. The mix is balanced, allowing each instrument to shine while maintaining a cohesive overall sound. The production enhances the listening experience, drawing the audience into the dark and immersive world that Mors Silens has created.
Despite the innovative sound design, some parts of Infernal Legacy can feel predictable. Mors Silens has a signature style that can sometimes lead to moments of repetitiveness. Experienced listeners of the genre might find certain motifs and themes recurring, which could reduce the element of surprise in the album.
Overall, Infernal Legacy is an enjoyable blackened melo-death album. It invites listeners into a dark, immersive world where they can explore complex themes and enjoy masterful musical compositions. Despite its minor flaws, the album solidifies Mors Silens’ place in the blackened death metal pantheon and promises to be a safe and enjoyable listening experience for fans of the genre.
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Infernal Legacy is out on May 9th via Womrhole Death Records
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